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Edgar Wright: Mastery of Visual comedy

Filmustage

Art by @nadi_bulochka Physical comedy: gag From the very beginning of cinematography, everything depended only on visual perception because the filmmakers couldn't record replicas due to lack of technology. Cinematography, first of all, is visual art that's why gags are the most natural kind of joke in movies.

Film 52
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Essential editing transitions - explained

Filmustage

But before we continue, we want to remind you that here we promote the love of art and try to inspire you to take your camera and make a short film. Also after a long time of hard work we are happy to announce the beta-testing of the new scheduling feature in the Filmustage software.

Editing 52
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Violence, neon and retro-wave: what demon is inside of Nicholas Winding Refn pt. 2

Filmustage

Well, the storytelling is kind of sketchy and I was thinking I'm watching a clip in the form of a movie. That's why the "Bronson" sends the message that true art gains through suffering, i.e Just like the protagonist of "Bronson" becoming famous through violence, Refn uses violence as an act of expression and representation of art.

Film 52
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The gentleman with a rocker's heart: Guy Ritchie

Filmustage

Art by @nadi_bulochka So why Guy Ritchie is part of the cultural code? However, a look at Madonna's ad for BMW M5 shot by Guy Ritchie reveals many of his signature directorial cues - head-banging clip editing, daring shots and angles, slowing down and speeding up the image as well as his trademark visual humor.

Film 52
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Not at all silent Kevin Smith

Filmustage

Art by @nadi_bulochka "Clerks." It may seem like nothing happens in the film, but in fact, the whole point and coolness of the film is hidden in the dialogue and character interactions. This clip is just hilarious and you gotta watch it! Together they made the director's first film, "Clerks.". We're talking about cinema here.

Film 52
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Bong Joon-ho: the mastery of transnational directing

Filmustage

Bong Joon-ho is the first Korean new wave to combine the formula of a successful Hollywood film with art, with a statement. The director takes this love to the point of madness, turning tradition into a wicked irony over morally obsolete values. This is the most intangible, but important feature of his directing style.

Film 52