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How the Coen Brothers brought up absurdity in cinema

Filmustage

Is it a cinematic device, and if so, for what purposes do directors use it? There is one very good reason why the Coen brothers are the heroes of this week: they are, you might say, the chameleons of the cinematic world. They mix opposites to create that very absurd mood in the film. And of course - spoiler alert.

Film 52
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The mastery of visual storytelling: David Fincher

Filmustage

What is perfect directing and how to make a film that is memorable not at the expense of a flamboyant author's style? This is human's struggle for survival in the cruel world of Fincher's films: nature and everything out of human's control is an indirect enemy. Fincher's films often feature the colour red.

Film 52
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Essential editing transitions - explained

Filmustage

The very first discoveries in cinematography were montage techniques and tricks, because they created a film out of many different shots. But before we continue, we want to remind you that here we promote the love of art and try to inspire you to take your camera and make a short film. more than once on the set. Breathless" (1960) dir.:

Editing 52
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How to make a Boom: Michael Bay

Filmustage

An action movie fanatic, a film critics' "favourite" and simply one of the highest-grossing directors of our time. Filmustage does not aim to educate, but to gather a close-knit film community around us. Leave the boring pre-production routine to the Filmustage - automatic script breakdown - and focus on your creativity!

Film 52
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How "The Boys" criticize modernity

Filmustage

This is another cinematic adaptation of DC comics, which are famous for their gloom, black humor, and violence. Today we will try to look at the famous TV series from an atypical point of view. The cinematic universe, toys, merch, namely fan service has captured the minds of many people.

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Violence, neon and retro-wave: what demon is inside of Nicholas Winding Refn pt. 2

Filmustage

British accent: "Bronson" Speaking about "Bronson" the statement of unsimilarity of Refns work become an absolute, cause after watching the "Pusher" trilogy, this film will blow you away with its montage and narrative structure. And during the film red & blue color and lightning perform as hints that help us to interpret the image.

Film 52
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?onquering the "Dune": a masterpiece that is not destined to appear

Filmustage

Nevertheless, few people watched the 1984 film adaptation, directed by David Lynch , and even more people are not familiar with the production hell that Alejandro Jodorowsky has faced. At the time, "2001: A Space Odyssey" by Stanley Kubrick remained the main reference point. Overall he is a clear representation of vanguard art.

Film 52