Astral Clock Tower Studios

JULY 6, 2020

Lastly, Nick revisited the 3D model for his previously created Anagativa skeleton to improve its shape and textures before handing it off to Allie for rigging and animation. After finishing up the forest townhome models, Cass then started in on texturing each of the structures. Animation / Rigging / Production.

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Dev Rigging Texture Animation 52

Astral Clock Tower Studios

FEBRUARY 24, 2021

In today's issue, you'll get an update on all the custom 3D assets we've been working on for the capital city of Nisar, plus a peek into our process for creating a fully functional facial rig for our female main character. We're looking forward to seeing how Cass textures this beast of a model once he's done crafting it. Check it out!

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Dev Texture Concepts Rigging 52

Astral Clock Tower Studios

MARCH 20, 2021

Now that both versions of the Cathedral models are complete, Cass can begin unwrapping the UV's before diving into the tedious texture work. This sprint, Karena was able to tackle the UVs and begin texturing. Rigging / Animation. Take a look! Here's a look at Nick's 3D version of the Myrtuna crest. link] Programming.

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Dev Rigging Concepts Demo 52

Astral Clock Tower Studios

SEPTEMBER 10, 2020

Now that he's done with the model itself, Cass will focus on unwrapping the UV's before getting started on the detailed texturing for this colossal beauty. With Shelly's keen eye for detail (and impressive modeling and texturing skills), she's been able to capture exactly that with her new and improved crystal models.

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Dev Clipping Demo Concepts 52

Astral Clock Tower Studios

AUGUST 5, 2020

Last issue, we shared the texturing work Cass had started on the forest homes, many of which resemble beautiful log cabins due to the intricate woodwork featured throughout. Much to Cass's relief (we're sure anyway), he was finally able to finish applying textures to the townhouses over the past few weeks. Take a look!

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Dev Clipping Texture Concepts 52

Astral Clock Tower Studios

APRIL 21, 2021

After working with the hair cards for awhile, it dawned on Pete that he could actually create a proxy texture that would easily troubleshoot the orientation of each card. During his first official pass, Pete was finally able to make the textures and shaders work in tandem. 3D Environmental Design. Level Design.

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